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- THEATER, Page 80Classic Muddle
-
-
- By William A. Henry III
-
-
- BORN YESTERDAY
- by Garson Kanin
-
- The audience applauds when the curtain comes up on the set,
- a swank Washington hotel suite, and again for the arrivals of
- the four leading players, each familiar from a TV series. Alas,
- those are just about the final occasions for enthusiasm in the
- labored, preachy and mostly unfunny revival of Born Yesterday
- that opened on Broadway this week. When the show debuted in
- 1946, it made stars of Paul Douglas and Judy Holliday and
- cemented the reputation of playwright Garson Kanin as a wry
- social commentator.
-
- This time, Edward Asner (Lou Grant) achieves the seemingly
- impossible by overplaying the loudmouth junkyard magnate Harry
- Brock, who is eight parts tyrant to one part teddy bear.
- Madeline Kahn (Oh Madeline) gets laughs as his fed-up mistress
- who sets out to acquire couth and literacy, but cute faces and
- cunning timing do not add up to a believable person. As the
- crusading journalist who sets out to trap Brock and woo away his
- woman, Daniel Hugh Kelly (Hardcastle and McCormick) seems
- lobotomized. Only Franklin Cover (The Jeffersons), as a sozzled,
- shopworn and sardonic Washington fixer, evokes a credible human
- being.
-
- The biggest loser is Kanin. His script, considered an
- American classic, either has dated badly or was overrated to
- start. It is a political, moral and especially a rhetorical
- muddle; its most grandiloquent speeches sound like discarded
- first drafts for a lesser Frank Capra movie. At the end, a
- Senator gets away with taking a bribe and Brock apparently gets
- away with murder, all with the connivance of the supposed hero
- and heroine. That may echo how some spectators feel about the
- outcome of recent insider-trading cases, but Kanin seemingly
- intended a shout of triumph, not this cynical sigh.
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